| Questions: 8.
            
            Why is having a mother with breast cancer  especially hard on teens?9.
            
            What are the advantages of group support for  siblings of children with cancer?
 10.
            
            What  are  techniques to help the spouse of a breast cancer patient share his  feelings with his children?
 11.
            
            How did young  school-age children adapt to parental cancer?
 12.
            
            What  relationships were found to be at significant risk in families with cancer?
 13.
            
            What can seriously compromise the acceptance of death  and greatly intensify or impair the bereavement process for surviving family  members?
 14.
            
            What often causes conflicts and divisions within  the family after the death of a family member?
 15.
            
            What  assumptions are the grief-oriented,  music-directed model based on?
 16.
            
            In order to promote healing, what six strategies  can counselors utilize with music therapy?
 17.
            
            What type of coping is related to  greater avoidance and to higher symptoms of anxiety/depression in the  adolescent?
 | Answers: A.  (a) counselors can use music to assist  grief-stricken clients; (b) grief occurs along a continuum; and (c) a spiritual  framework for grief resolution and music intervention provides an effective  venue for working with grieving clients. B. Those authors found that it was difficult  for young school-age children to understand the concept of cancer due to their  concrete mode of thinking. They often described the illness as "it" and their  emotional responses were concerned primarily with fear, loneliness, anger, and  uncertainty about the future.
 C. (a) "test the waters" by using music  creatively in practice; (b) incorporate prose, narrative, or poetry writing as  an integral part of grief work; (c) ask clients to write about the positive and  negative aspects of their grief; (d) ask clients to personalize lyrics for their  favorite songs (e.g., "Amazing Grace," popular folk or contemporary music); (e)  meet clients where they are in the grieving process and build toward a mutually  agreeable direction; and (f) join colleagues with similar interests and use  songs that have been tested in the field.
 D. The individual, although experiencing  grief autonomously, does in fact project and propel his or her symptoms onto  the other members of the system or family. This is likely to result in conflict  and divisions within the family, as each person is perhaps seen by the others as  not coping adequately, as preoccupied with irrational thoughts, wallowing in  self-pity or prolonging the grieving process.
 E.  they want to  be more independent. Just at the time they're trying to separate themselves  from home. They may have to  take on more responsibilities at home.
 F.  they often feel left out and jealous of the attention the  sick child receives, so these days are meant to be special to them. It allows  them, through play, to express and work through their feelings, and they learn  to mix with other children going through similar experiences.
 G. blame and guilt
 H. emotion-focused
 I. Talk to him, but mostly listen. Find the right  confidant. Encourage a support group. Consider the possibility of depression.
 J.  the  mothers’ relationships with their daughters were at a significantly greater  risk than were the relationships with their sons. Seventeen percent of the  breast cancer patients reported that their daughters were fearful, withdrawn, hostile,  or rejecting; only 8% reported having problems with their sons.
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